Woodwind and Brass Repairs and Maintenance
Please call or text Angela Rawlins
0478 102 811
Servicing and Repairs
Woodwind Instruments
Flute, Saxophone, Clarinet, Piccolo, Oboe, Bassoon
Annual Servicing
Pad, Cork & Felt Replacement
Soldering
Dent Removal
Tenon and Keywork Repairs
Ergonomic Modifications
Preparation for Sale
Cleaning Secondhand Instruments
Brass Instruments
Trumpet, Cornet, Flugelhorn, Trombone
Annual Servicing
Stuck Slides, Mouthpieces
Stuck Valves
Chemical Cleaning
Soldering
Cork & Felt Replacement
Preparation for Sale
Cleaning Secondhand Instruments
How I Can Help
I believe that every instrument that enters my workshop carries its own history and deserves its own special care. Because I take great pride in providing a truly personalised service, I work strictly by appointment. This ensures that when you arrive, my time is dedicated solely to you and your instrument.
Together, we will sit down and look at your instrument to talk through the different options. I want you to feel comfortable and in control of every decision, especially when it comes to your budget. We will look closely at what is needed and discuss the repair options and their costs together.
Once we have found the best path forward, you can choose exactly which work you would like to proceed with. My goal is for you to leave your instrument in my hands with total peace of mind, knowing it is in good care.
Services Available
-
When the unexpected happens, I provide quick, reliable fixes to help you get back to playing as soon as possible.
-
A focused check-up and adjustment to ensure your instrument feels responsive and easy to play.
-
A thorough maintenance session to clean, adjust, and keep your instrument in its best possible shape.
-
A deep, comprehensive restoration where I work meticulously to bring your instrument as close to its peak performance as possible.
-
Adjusting the physical feel of your instrument so it fits your hands perfectly and feels natural to play.
-
I proudly hand-make my own pads in-house for saxophones, allowing me to tailor the fit and feel specifically to your instrument. For in-house use only. I do not make pads for sale.
Contact
To ensure I can give you and your instrument my full attention, I work strictly by appointment. Because I am often focused at the workbench, I find that phone calls and text messages are the best way to reach me.
Availability: Monday – Friday, by appointment only
Phone: 0478 102 811
Workshop Location: Geebung, QLD. I operate from a professional home-based studio. To maintain a dedicated and quiet workspace, the full address is shared once your visit is scheduled.
Desktop users: scan the QR code to save my contact details directly to your phone.
-
Estimates and Unexpected Repairs My initial assessment is an estimate based on what I can see during our consultation. Should I discover any hidden issues once the work begins that significantly change the cost or scope, I will always pause and contact you to discuss the options before proceeding.
Completion and Collection I understand that life happens and some of my clients travel long distances. While I appreciate prompt collection, I ask that instruments be picked up within 14 days of completion. If you are unable to collect within this timeframe, please let me know so we can make a specific arrangement in advance.
Payment Payment is due in full upon the collection of your instrument. For larger projects, such as an Overhaul, I may request a deposit at the time of booking to cover materials and secure your place in my schedule.
Our 3-Month Guarantee I take great pride in my craftsmanship. All repairs and adjustments are covered by a 3-month warranty on workmanship. If a specific adjustment I made needs further attention during this time, I will prioritize getting it sorted for you at no extra cost. Please note this covers my specific work and does not include accidental damage, misuse, or normal wear and tear.
Gallery
Cracked flute key
Cracked flute key repaired
Custom key modification for ergonomics
Custom keywork in progress
Damaged alto saxophone before cleaning
Alto saxophone after cleaning
Fitting new flute head joint cork
Trumpet before cleaning
Trumpet after cleaning
Bent flute key
Insect eaten clarinet pad
Rusted keywork rods
Servicing keywork rods. Removing old contaminated oil.
About
The Art of the Bench
My journey into the world of instrument repair began not in a studio, but growing up on a farm. My early years were spent between two worlds: passing tools to my father as he worked in the shed on heavy machinery, and immersed in arts and crafts with my mother in the home. It was there I first learned to respect both the language of tools and the delicate precision of handiwork.
That foundation, combined with a lifelong dedication to music—from my first piano scales in primary school to completing a Bachelor of Music on the saxophone—eventually led me to my true calling: the craft of the technician.
A Commitment to the Craft
My foundation in this trade began in the 1990s, where I trained in a leading professional woodwind workshop in Brisbane. Since those early days, I have remained a perpetual student of the craft. My expertise is a blend of formal education, international training and modern innovation. I am a certified Straubinger technician and a member of NAPBIRT, and have traveled as far as the United States to study brass repair and lathe work.
In my workshop, traditional hand-skills meet modern technology. By integrating jewelry-making techniques for fine metalwork with 3D printing and laser cutting, I am able to offer specialised keywork modifications. I take particular pride in customising instruments for players with injuries or disabilities, ensuring that the pleasure of playing remains accessible to everyone.
A Partnership Built on Trust
My business has grown primarily through word-of-mouth, which I consider the highest compliment. I view every appointment as an opportunity for education and communication. I want you to leave not just with a restored instrument, but with a deeper understanding of your instrument and how to care for it.
My greatest reward is the moment you return to collect your instrument and find that the ease of play has been restored.
A Philosophy of Ease and Excellence
I believe that making music should be an act of joy, not a physical struggle. Too often, a student’s frustration or a professional’s fatigue isn't always a reflection of their technique, but a sign that their instrument is fighting against them. My motivation is simple: to ensure your instrument functions so seamlessly and effortlessly that it disappears, leaving only the music.
A Sanctuary for Your Instrument
I work from a quiet, meticulously maintained home-based workshop—a dedicated space filled with specialised tooling where I can focus entirely on the task at hand. Because I do not buy or sell instruments, my advice is purely objective. You can have absolute confidence that my recommendations are based solely on what is best for you and your instrument.